{"@context":"http://api.digitalnz.org/schema","@type":"edm:Agent","@id":"http://www.dnz0a.cloud.digitalnz.org/concepts/448","concept_id":448,"@reverse":{"agents":[{"@id":"http://digitalnz.org/records/165577","@type":"edm:ProvidedCHO","title":"Black painting","description":null,"date":["1968-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/115907/thumb"},{"@id":"http://digitalnz.org/records/165670","@type":"edm:ProvidedCHO","title":"Cruciform II. From: Human Rights series","description":null,"date":["1964-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/115781/thumb"},{"@id":"http://digitalnz.org/records/165779","@type":"edm:ProvidedCHO","title":"Untitled","description":null,"date":["1963-01-01T00:00:00.000+12:00","1965-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605745/thumb"},{"@id":"http://digitalnz.org/records/174984","@type":"edm:ProvidedCHO","title":"Drawing for \"Pine\" - a poem by Bill Manhire no.10","description":null,"date":["1972-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54737/thumb"},{"@id":"http://digitalnz.org/records/175844","@type":"edm:ProvidedCHO","title":"Black painting XV, from ‘Malady’ a poem by Bill Manhire","description":null,"date":["1970-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/258714/thumb"},{"@id":"http://digitalnz.org/records/175848","@type":"edm:ProvidedCHO","title":"Song","description":null,"date":["1991-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/77845/thumb"},{"@id":"http://digitalnz.org/records/175857","@type":"edm:ProvidedCHO","title":"Red Square","description":"Red square, with its simple shapes and blocks of colour, illustrates a dramatic shift in Ralph Hotere’s practice, from an expressive style to geometric abstraction. \nHotere was the first Māori artist to be fully recognised by New Zealand’s art mainstream. In 1961, he earned a fellowship to study in London, and then another to travel to France, where he immersed himself in modern European art. The experience was a pivotal one.\nThe shapes and words that Hotere has used in this and other works of the period (also displayed here) could be a nod to the work of Russian artist Kasimir Malevich (1878–1935). Malevich created geometric, abstract works to ‘free art from the ballast of objectivity’.","date":["1965-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605742/thumb"},{"@id":"http://digitalnz.org/records/175843","@type":"edm:ProvidedCHO","title":"Untitled","description":null,"date":["1965-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605749/thumb"},{"@id":"http://digitalnz.org/records/175854","@type":"edm:ProvidedCHO","title":"Untitled","description":null,"date":["1962-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/56146/thumb"},{"@id":"http://digitalnz.org/records/175862","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54747/thumb"},{"@id":"http://digitalnz.org/records/175872","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/675365/thumb"},{"@id":"http://digitalnz.org/records/175877","@type":"edm:ProvidedCHO","title":"Red on black. From the portfolio: Barry Lett Multiples","description":"Ralph Hotere created Red on black for a portfolio of prints by 12 leading New Zealand artists, including Colin McCahon, Gordon Walters, and Don Binney. \nThe prints, published in 1969 by Barry Lett Galleries, were an attempt to make important contemporary New Zealand art available to the public. They were produced in large numbers and sold cheaply, so were ‘everywhere’. \nHotere played a keen part in the screen-printing phenomenon that took place in 1960s and 70s New Zealand. The process worked well – as Red on black shows – for the kinds of images he was exploring: hard edges and blocked-out areas of a few colours.","date":["1969-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/385528/thumb"},{"@id":"http://digitalnz.org/records/175860","@type":"edm:ProvidedCHO","title":"Song cycle II","description":null,"date":["1975-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/55593/thumb"},{"@id":"http://digitalnz.org/records/175863","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book:Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54740/thumb"},{"@id":"http://digitalnz.org/records/175861","@type":"edm:ProvidedCHO","title":"Yellow Triptych","description":"Yellow triptych brings together many of the elements that characterised Ralph Hotere’s artistic practice: the colour black, the contrast between light and dark, and the cross motif. \nHotere grew up in a Catholic Māori community in rural Northland. But though his works often incorporate Christian iconography, they resist a narrowly religious interpretation. Instead, as critic Gregory O’Brien has written, they ‘assert the depth and mystery of all human experience’.\nHotere was greatly influenced by both minimalism and arte povera, a movement emphasising the reinvention of everyday objects. In Yellow triptych, he has transformed corrugated iron and lead-headed nails – materials ordinarily used in roofing – into a polished and poetic art work.","date":["2001-01-01T00:00:00.000+13:00","2003-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/288136/thumb"},{"@id":"http://digitalnz.org/records/175867","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987).","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54744/thumb"},{"@id":"http://digitalnz.org/records/175869","@type":"edm:ProvidedCHO","title":"The mark of the bull (from the series 'Windows in Spain')","description":null,"date":["1978-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54736/thumb"},{"@id":"http://digitalnz.org/records/175878","@type":"edm:ProvidedCHO","title":"Les saintes maries de la mer (Black rainbow)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/258766/thumb"},{"@id":"http://digitalnz.org/records/175842","@type":"edm:ProvidedCHO","title":"Black Painting XIII, from 'Malady' a poem by Bill Manhire","description":"There are few things I can say about my work that are better than saying nothing.\nRalph Hotere, 1996\nRalph Hotere rarely spoke about his art but believed in the power of words and often incorporated the writing of New Zealand poets. This painting draws on a pattern poem by Bill Manhire – a play on the words ‘malady’, ‘melody’, and ‘my lady’.","date":["1970-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/78919/thumb"},{"@id":"http://digitalnz.org/records/175847","@type":"edm:ProvidedCHO","title":"Test piece (B)","description":null,"date":["1977-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/77899/thumb"},{"@id":"http://digitalnz.org/records/175850","@type":"edm:ProvidedCHO","title":"Oedipus drawing for Baxter's 'The temptations of Oedipus'","description":null,"date":["1970-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/77750/thumb"},{"@id":"http://digitalnz.org/records/175851","@type":"edm:ProvidedCHO","title":"Nude","description":null,"date":["1969-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/143362/thumb"},{"@id":"http://digitalnz.org/records/175855","@type":"edm:ProvidedCHO","title":"Untitled","description":null,"date":["1963-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/56152/thumb"},{"@id":"http://digitalnz.org/records/175868","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54746/thumb"},{"@id":"http://digitalnz.org/records/175875","@type":"edm:ProvidedCHO","title":"Black painting","description":null,"date":["1970-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54766/thumb"},{"@id":"http://digitalnz.org/records/175879","@type":"edm:ProvidedCHO","title":"Dawn water poem","description":null,"date":["1974-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/13071/thumb"},{"@id":"http://digitalnz.org/records/175881","@type":"edm:ProvidedCHO","title":"Black phoenix","description":"This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). \nIndigenous cultures are continuously gazing back on a stable past as a portal to the future through the prism of an insecure present. Here, stories associated with ngā tūpuna (the ancestors) are inspirational in charting that future direction. Black phoenix, as with all of Hotere’s work, grows out of a wairua, or spiritual base. Many components are involved in its reimagining: a found object, a local South Island catastrophe, classical Western mythology, iwi history and a twentieth-century event. Together, these five important sources give this regenerative tohu, or symbol, its impact.\nTangibly, Black phoenix is the regenerated remains of a local fishing boat, the Poitrel, which Hotere witnessed burning down at its moorings from his Port Chalmers studio window. The artist intended that, when exhibited in a gallery, the bow be installed centrally with planks of the Poitrel arranged around it in rows on the floor and wall. The effect is deliberately reminiscent of his own ancestral pā, which was besieged and stripped by fire: Te Aupōuri, Hotere’s northern iwi, were literally reborn, phoenix-like, after they burned their possessions and escaped under the cover of the smoke. The phoenix is a bird in ancient Western mythology which builds its nest then burns it in order to find resurrection; in turn, Black phoenix was the name of a radical London-based magazine promoting black political rights which Hotere encountered during his study in Europe from 1962 to 1964. Hotere’s new configuration of the Poitrel materials thus becomes a symbolic ara moana (pathway to the sea) that redefines tribal identity. A proverb, carved on its floor components with an angle grinder, says: ‘Ka hinga atu he tetekura, ara mai he tetekura’ (‘When one fern frond dies another takes its place’).\nSomething else was probably in Hotere’s mind as he drove back and forth past the wreckage of the Poitrel, procured it and began reworking its burnt components. The significant touring exhibition Te Maori, which showed in the United States and New Zealand between 1984 and 1987, coincided with the making of Black phoenix. Just as Te Maori was changing New Zealand thinking on Māori art, so Black phoenix encapsulated the rebirth of taonga in perhaps the most important visual statement of the Māori renaissance in the late twentieth century.\nRangihīroa Panoho","date":["1984-01-01T00:00:00.000+13:00","1988-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/675364/thumb"},{"@id":"http://digitalnz.org/records/175853","@type":"edm:ProvidedCHO","title":"Still life","description":null,"date":["1959-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/764274/thumb"},{"@id":"http://digitalnz.org/records/175845","@type":"edm:ProvidedCHO","title":"Comet over Mt Taranaki and Parihaka","description":null,"date":["1971-01-01T00:00:00.000+12:00","1973-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605746/thumb"},{"@id":"http://digitalnz.org/records/175871","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems (Penguin, 1987).","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54741/thumb"},{"@id":"http://digitalnz.org/records/175876","@type":"edm:ProvidedCHO","title":"Aurora","description":null,"date":["1980-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/209422/thumb"},{"@id":"http://digitalnz.org/records/175849","@type":"edm:ProvidedCHO","title":"A Union Jack?","description":null,"date":["1990-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/606587/thumb"},{"@id":"http://digitalnz.org/records/175856","@type":"edm:ProvidedCHO","title":"Red on white","description":null,"date":["1965-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605741/thumb"},{"@id":"http://digitalnz.org/records/175840","@type":"edm:ProvidedCHO","title":"Oputae Po-Takere","description":null,"date":["1989-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/78798/thumb"},{"@id":"http://digitalnz.org/records/175841","@type":"edm:ProvidedCHO","title":"Black Painting","description":null,"date":["1985-01-01T00:00:00.000+13:00","1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/78959/thumb"},{"@id":"http://digitalnz.org/records/175846","@type":"edm:ProvidedCHO","title":"Lo negro sobre lo oro","description":"Curator Ian Wedde has commented on the ‘sense of deep spirituality’ in Hotere’s work, and ‘the many elegant and meticulous ways in which he has claimed the colour black as his signature’.","date":["1992-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/567150/thumb"},{"@id":"http://digitalnz.org/records/175852","@type":"edm:ProvidedCHO","title":"Orange on black","description":"This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). \nBlackness is a key feature in the work of Ralph Hotere. It can be partially traced to his fascination with gloominess in Rembrandt’s painting and also has iconic importance in the formation of his tribe’s identity. Te Aupōuri, the far northern people to which he belonged, changed their name after they escaped from danger under the cover of a pall of black smoke. Orange on black, like a number of Hotere’s works of the late 1960s in the same minimalist style, is also relatively close in appearance to the black paintings of American minimalist Ad Reinhardt, dating between 1954 and 1967. Painted the year after Reinhardt died, Hotere’s black painting is, in part, a tribute both to Reinhardt’s philosophy and to the severely restricted palette the artist admired throughout his career.\nComparing work by Hotere and Reinhardt is helpful in clarifying the particular type of abstraction we find in Orange on black. Both works involve an extremely limited palette. Unlike Reinhardt, though, Hotere has no desire to completely purge his painting of content or geometric or symbolic relationships. He does not wish to frustrate the viewer or to force them to spend extensive time trying to understand the work. In Reinhardt’s black paintings a cross form, comprising nine perfect squares in three different colours within a sixty-by-sixty-inch canvas, is barely discernible. Its low-contrast presence, on the very edge of perception, requires serious time and patience to discern.\nBy contrast the finely masked orange line in Orange on black is immediately readable as a cross on black ground. And while Reinhardt’s cross has bars of equal length, the vertical line in Hotere’s orange cross is longer than its horizontal counterpart and therefore has spiritually evocative associations. In the broader range of work by Hotere featuring the cross, the motif is used in many different ways: as a target, as an anti-war statement and as a Catholic symbol. Reinhardt’s vision was radical, brushless, subjectless and even emotionless, but for Hotere art functions as a humanitarian voice of protest and a window to the soul.\nRangihīroa Panoho\n ","date":["1968-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/428337/thumb"},{"@id":"http://digitalnz.org/records/175864","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987))","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54749/thumb"},{"@id":"http://digitalnz.org/records/175873","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54743/thumb"},{"@id":"http://digitalnz.org/records/175858","@type":"edm:ProvidedCHO","title":"Untitled","description":null,"date":["1965-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605743/thumb"},{"@id":"http://digitalnz.org/records/175859","@type":"edm:ProvidedCHO","title":"Untitled","description":"This essay originally appeared in New Zealand Art at Te Papa (Te Papa Press, 2018). \nIn the early 1960s Ralph Hotere spent several years in the United Kingdom and Europe on an education and research fellowship, studying at the Central School of Arts and Crafts in London and travelling in France and Italy. This period had a big impact on him. The print Untitled, made shortly after his return to Aotearoa New Zealand, represents a threshold phase for his paintings, drawings and prints. Hotere processed American abstract expressionism, pop art and minimalism in a new abstract language. Around 1965–66, he began assembling dozens of combinations of squares, circles and truncated curvilinear bands, similar in feel to Untitled, in screenprint, lithography and acrylics. Hotere’s visual shorthand involved reduced colours: a single black; a blue or two; or at most three colours, sometimes with red as a highlight.\nUntitled is out of sync with Hotere’s later hard-edge, content-expunged, Ad Reinhardt-like minimalism, as seen in his ‘Black painting’ series of 1968–69. Here there is still a playful, lyrical, anthropomorphic feel to the treatment of shapes. Organic rectangles and hand-cut, stencilled circles — stacked Brâncuși-like — along with the two curved forms on the right, read almost like the truncated limbs, head and torso of a human body. Other concurrent works invite the viewer to read narratives through colour and titles evoking war, revolution and romance: Red square and American khaki, for example. \nOn his return Hotere progressively moved away— to Dunedin for a residency in 1969 and later to nearby Port Chalmers — from his Te Aupōuri tribal roots in the far north. Drawing any firm conclusions from the distance Hotere chose to go from the north would be as misleading as claiming that ethnic markers are absent in works like Untitled. It is difficult to clarify the intangible role that wairua (spirit) has here. However, even in this 1965 work we may note the interchange of negative and positive patterning that is readily relatable to the art of kōwhaiwhai and to raranga, or weaving. The lifelong sensibility the artist was honing involved, as in the Māori aesthetic, a focus not simply on positive shapes but also on the negative spaces around them.\nRangihīroa Panoho","date":["1965-01-01T00:00:00.000+12:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605744/thumb"},{"@id":"http://digitalnz.org/records/175866","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54738/thumb"},{"@id":"http://digitalnz.org/records/175874","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987).","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54742/thumb"},{"@id":"http://digitalnz.org/records/175880","@type":"edm:ProvidedCHO","title":"Vive Aramoana, pathway to the sea","description":null,"date":["1979-01-01T00:00:00.000+13:00","1980-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/605748/thumb"},{"@id":"http://digitalnz.org/records/175865","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54745/thumb"},{"@id":"http://digitalnz.org/records/175870","@type":"edm:ProvidedCHO","title":"Drawing from a set of 12 for Hone Tuwhare's book: Mihi; collected poems. (Penguin, 1987)","description":null,"date":["1986-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/54739/thumb"},{"@id":"http://digitalnz.org/records/177136","@type":"edm:ProvidedCHO","title":"Untitled. From the series : Working drawings for 'Pathway to the sea, Aramoana'","description":null,"date":["1991-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/255256/thumb"},{"@id":"http://digitalnz.org/records/177131","@type":"edm:ProvidedCHO","title":"Untitled. From the series: Working drawings for 'Pathway to the sea, Aramoana'","description":null,"date":["1991-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/254580/thumb"},{"@id":"http://digitalnz.org/records/177133","@type":"edm:ProvidedCHO","title":"Blackwater","description":null,"date":["1998-01-01T00:00:00.000+13:00","1999-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/33321/thumb"},{"@id":"http://digitalnz.org/records/177135","@type":"edm:ProvidedCHO","title":"Untitled. From the series: Working drawings for 'Pathway to the sea, Aramoana'","description":null,"date":["1991-01-01T00:00:00.000+13:00"],"display_content_partner":"Museum of New Zealand Te Papa Tongarewa","display_collection":"Te Papa Collections Online","thumbnail_url":"https://media.tepapa.govt.nz/collection/254578/thumb"}]},"name":"Ralph Hotere","prefLabel":"Hotere, Ralph","altLabel":[],"dateOfBirth":"1931-11-08","dateOfDeath":"2013-02-24","biographicalInformation":"","sameAs":["http://natlib.govt.nz/records/22386680","http://collections.tepapa.govt.nz/Person/1101","http://www.aucklandartgallery.com/the-collection/browse-artists/1952"],"note":null,"latitude":null,"longitude":null,"type":"edm:Agent","source_authority":[]}